Community, Mixed Media, Specialty Workshops

Concrete Jewelry? Why Not!

By Tegan Wallace

Brooch, Michael Nashef

Contemporary jewelry is known for its inclusion of a wide variety of materials beyond metal and stones. The value of contemporary work often comes from the story told in a piece, the intent, and the personal connection to a particular aesthetic.  Today, artists have the freedom to select materials that help tell their stories, whether in gold, silver, or everyday materials that we may take for granted. 

One such material is concrete. Concrete is a blend of aggregates (gravel, sand, etc) and cement (a binding agent made up of calcium, silicon, aluminum, iron and other ingredients). Concrete used in jewelry is comprised of very finely ground aggregate and binder that can be mixed in very small batches. It can be manipulated in a variety of ways including colored, and, to get technical, it’s a really awesome jewelry material. Here are a few of the highlights. 

  • Concrete is much lighter than stones, resin, or polymer (just binder and very fine aggregate after the water evaporates). This is particularly important when making larger works.  
  • Concrete is less messy and potentially toxic than plastic resins (It does, however, contain silica and also ingredients that can irritate the skin. Be sure to wear gloves and, if using a large enough amount to raise dust, use a mask. Safety first!). 
  • Concrete can be cast and shaped. It can be poured into bezels or cast in molds – silicon or DIY versions made from cardboard and tape. It can be carved with course files or rasps after several hours of drying time. When it has more fully set up, it can be refined and polished with wet/dry sand paper (Again, remember that concrete contains silica – wear a dust mask if you’re creating airborne dust!). 
  • Concrete can be colored. While basic grey has a great industrial look, it’s also possible to add powdered pigments, chalk, and even latex paint to concrete to give it a wide variety of hues. Concrete can also be gold leafed, either by placing leaf in a mold before pouring or by using adhesive after it cures. 
Bracelet, Frances Smersh

It’s important to note that concrete has been used by well-known jewelry artists for decades. Seattle’s own Frances Smersh made her beautiful line of architectural jewelry using silver, colored concrete, and pearls.  

Jeweler Jim Cotter has been using concrete for decades. He said he was inspired by the idea of “Taking industrial materials and breaking [them] down and maybe making it precious…[concrete]’s a logical kind of material to use because it has no boundaries and it has an incredible amount of beauty.”

Ring, Jim Cotter

Canadian jeweler Andrew Goss began working with concrete in the late-1970s, saying “The motivation of the concrete is a reaction against preciousness.” His works include diamonds submerged in concrete and cast concrete pendants covered in gold leaf. 

Brooch, Michael Nashef

Bringing concrete into the present day is artist Michael Nashef. He uses vibrantly colored concrete and 3D printed elements to create incredible works influenced by architecture and the destructive nature of war. He also happens to be teaching a workshop on concrete at Danaca Design this weekend! Among the topics Michael will cover are ways to color and to mold concrete, as well as mold-making techniques.  

I’m incredibly excited for this workshop. Concrete looks cool and is a very accessible material (nothing more frustrating than taking a workshop where the materials are so esoteric that they’re hard to source…). The colors Michael uses in his work are as stunning as the forms he creates. My head’s already spinning with all the questions and the possibilities the material presents. This workshop is one of those experiences that feels like it’s going to be transformative. I’m told there are one or two seats left – you should definitely sign up. 

Workshop details HERE. 

Necklaces, Michael Nashef

Danaca Design is also hosting a Jewelry Pop-up with Michael Thursday evening, September 22 in the Gallery SHOWROOM. Check out his work and meet the artist! 

Find details HERE! 

Mixed Media

Make Your Mark!

Necklace, Jan Smith

Image and Mark Making in Enamel with Jan Smith

August 17-19 at Danaca Design

“I love the diversity and seductive qualities of the enamel and enjoy sharing an understanding of the material with students. I begin with a simple sketch, using the enamel as a printmaking or drawing medium, I work rather intuitively allowing the work to evolve. There is an element of assemblage or evolution in my process and composition, and I am excited about the imperfections in the surfaces.” -Jan Smith

Pendant, Jan Smith

With her decades of experience as a printmaker and jewelry designer, Jan Smith has a remarkable amount of expertise creating various compositions in enamel with a wide range of techniques. Her illustrative approach is translated into botanical and natural forms as well as more abstract and modern designs that rely on linear detail, diverse layers of color, and fine execution.

Necklace, Jan Smith

Over three days in August, Smith will lead students through a broad range of techniques to develop exciting surfaces. With sgraffito, students can create multiple layers of contrasting color by scratching or drawing designs in a top layer of enamel allowing the color beneath to show through after the piece has been fired. Through multiple layers of opaque or translucent glazes, different effects and levels of depth in the piece can be achieved. Underglaze pencils and watercolor techniques allow for more intensive detail and line-work, as well as intriguing color-play evoking greater subtlety and depth in the designs. Over-glazing in translucent or clear finishes can achieve unifying effects and protect the piece. Ultimately this workshop will open a whole new world of detail and depth to every students enamel work.

Work by Jan Smith

In Image and Mark Making in Enamel, Jan Smith takes the time to explain how each method can work with the others to build distinctive pieces. Students create prototypes of each technique, getting a feel for each method’s possibilities, and then create a series of pieces that can be incorporated into their jewelry. Armed with new knowledge, tools, and enamels, practitioners will have an entirely new narrative with which to compose pieces and images to “make their mark”.

We can’t wait!